Mary Robinette Kowal

SF author & professional puppeteer
tamorapierce:

polyamorousmisanthrope:

labelleizzy:

mizufae:

pastel-gizibe:

shannonwest:

equalityandthecity:

(via Students help Emma Sulkowicz carry mattress to class in first collective carry)

Y E S 

IT IS GETTING BETTER

When I first read about this woman’s plan I thought it was a strong idea but I was worried that it was a little bit much for one person, no matter how dedicated, to keep it up for too long, especially since she has, you know, college to commit to. I never thought about how, if other people helped her carry her burden, I never thought about how much it would look like pallbearers with a coffin. Which is simply one of the strongest visual symbols one can use to disturb people in the western world.

you rock it, young feminist protesters. Fuck yeah, I am so proud of you.

Yes, they’re awesome.
But I think there is another part about this I like, too.  Notice the burden of that pain is being shared — made lighter by women committed to being here and helping.  They can’t fix it, of course but mutual support makes the burden lighter.
No wonder the patriarchy wants us in competition with each other…

We shall overcome some day

tamorapierce:

polyamorousmisanthrope:

labelleizzy:

mizufae:

pastel-gizibe:

shannonwest:

equalityandthecity:

(via Students help Emma Sulkowicz carry mattress to class in first collective carry)

Y E S 

IT IS GETTING BETTER

When I first read about this woman’s plan I thought it was a strong idea but I was worried that it was a little bit much for one person, no matter how dedicated, to keep it up for too long, especially since she has, you know, college to commit to. I never thought about how, if other people helped her carry her burden, I never thought about how much it would look like pallbearers with a coffin. Which is simply one of the strongest visual symbols one can use to disturb people in the western world.

you rock it, young feminist protesters. Fuck yeah, I am so proud of you.

Yes, they’re awesome.

But I think there is another part about this I like, too.  Notice the burden of that pain is being shared — made lighter by women committed to being here and helping.  They can’t fix it, of course but mutual support makes the burden lighter.

No wonder the patriarchy wants us in competition with each other…

We shall overcome some day

ambrielmythos:

Vaudeville performance based on the old English ballad “Death and the Lady”. The performance was about the evils of card playing and alcohol.

Death and the Lady - Joseph Hall 1906

(via sigridellis)

Can you tell, by this cat, that our furnace is not on yet?

Can you tell, by this cat, that our furnace is not on yet?

Today I’m making the spider corn cake from my Great-grandma’s cookbook.

Today I’m making the spider corn cake from my Great-grandma’s cookbook.

ursulavernon:

cigartop:

"Lots of artists can fill their work with aching homosexual tension, but no one else can make the impending sodomy look quite as classy and exquisitely dressed as Leyendecker can.” - source

Before Rockwell, a Gay Artist Defined the Perfect American Male
"Nobody had to tell J.C. Leyendecker that sex sells. Before the conservative backlash of the mid-20th century, the American public celebrated his images of sleek muscle-men, whose glistening homo-eroticism adorned endless magazine covers. Yet Leyendecker’s name is almost forgotten, whitewashed over by Norman Rockwell’s legacy of tame, small-town Americana.

"Rockwell was just an 11-year old kid when Leyendecker created the legendary “Arrow Collar Man” in 1905, used to advertise the clothing company’s miraculous detachable collars. One of America’s first recognizable sex symbols, this icon of masculinity was defined by his poise and perfection, whether on the sports field or at the dinner table. Like the Gibson Girl, the Arrow Collar Man developed a singular identity, equal parts jock and dandy, who supposedly received more fan letters than silent film heartthrob Rudolph Valentino. To top things off, Leyendecker’s men were often modeled after his lover and lifetime companion, Charles Beach, making their secret romance a front-page feature across the U.S."

- continue reading this article by Hunter Oatman-Stanford in Collectors Weekly.

Additional reading can be found at one of my favorite sites: Gay Influence.

J.C. Leyendecker in 1895.

Love the rendering on the first one!